BrightWorld

Dreams, Optimism, Wisdom

CONSOLIDATED AUSTRALIAN & MELANESIAN COSMOGONY January 15, 2014

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CONSOLIDATED AUSTRALIAN & MELANESIAN COSMOGONY

Erle Frayne D. Argonza

 

In this portion of the cosmogony articulations, a consolidated report on the Australia cosmogony is shared.

 

The folk beliefs about the ‘sun’ and ‘moon’ endowed with consciousness signifies the role in antiquity of the ‘solar pitris’ and ‘lunar pitris’ (pitris = fathers) in evolving Terrans. Theos Sophia was clear in the thesis that nature unaided cannot evolve humans.

 

Standard archetypes such as ‘sky’, ‘sea’, ‘water’, ‘egg’, ‘fire’, ‘space’, and so on. The faint knowledge of man evolving first as shadowy/etheric is reflected in the myths. From there on, divine intervention took place so as to improve humans to make them more morphous, bio-physical, intelligent, endowed with speech, more agile than the phlegmatic predecessors.

 

[Philippines, 30 June 2011]

 

Source: http://www.oldandsold.com/articles29/mythology-20.shtml

From a consideration of the cosmogonic myths of Australia here outlined it would appear that a number of conclusions are justified. It has already been pointed out that a broad distinction may be drawn on linguistic grounds between the northern and central tribes on the one hand and those of the remainder of Australia on the other. Unfortunately, we have no myth material from western Australia, so that nothing can be said of its relations to the remainder of the continent. It is fairly clear, however, that the linguistic divergencies between the northern and central portions as contrasted with the southern and eastern districts are paralleled by differences in mythology. In the former region we find scarcely a trace of any myths of the source of the world or of a creator deity. The origin of mankind is either a coming up out of the ground or a spontaneous beginning as embryonic or amorphous beings, who are made human by one or another group of totem ancestors. The sun and moon are regarded as persons who, like other early mythical beings, emerged from the ground and later ascended to the sky, and knowledge of fire is said to have been taught to the ancestors in the underworld. In the southern and eastern portions of the continent we find, on the other hand, more or less definite tales of a creator-being and of a creation, together with myths of the origin of man-kind. Here the sun is often regarded as an actual fire kindled by an egg cast into space; here the sea (or water) is said to have been in the beginning either concealed or swallowed; and here a variety of origins are given for fire, its ownership by, and theft from, animals or birds being perhaps the most characteristic. Comparison with adjacent areas leads to rather contradictory results. In some particulars the northern and central type shows relationship to the largely hypothetical Papuan stratum in Melanesia, although some of its most characteristic elements, such as the origin of man from embryonic beings, have thus far not been reported from the Melanesian area. On the other hand, the southern and eastern type reveals points of similarity with the Melanesian stratum in Melanesia, although from the geographical stand-point, and known historical relations this would hardly be expected. On the basis of the cosmogonic myths alone these suggested resemblances are uncertain at the best; and we may, therefore, turn to the remainder of the mythology and see whether the same cleavage and the same affiliations occur there also.

 

PUNDJEL & GENESIS IN MELBOURNE, LUNAR PITRIS IN QUEENSLAND MYTH January 3, 2014

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PUNDJEL & GENESIS IN MELBOURNE, LUNAR PITRIS IN QUEENSLAND MYTH

Erle Frayne D. Argonza / Ra

 

Source: http://www.oldandsold.com/articles29/mythology-20.shtml

 

Myths of the third type are, on the other hand, characteristic of the south-easterly portion of the continent. Although in many cases 12 there are no detailed stories of the creation of mankind, the statement being merely that the first men were created, more definite myths do occur. Thus, the tribes in the vicinity of Melbourne say that in the beginning Pundjel made two males from clay. “With his big knife he cut three large sheets of bark. On one of these he placed a quantity of clay, and worked it into a proper consistence with his knife. When the clay was soft, he carried a portion to one of the other pieces of bark, and he commenced to form the clay into a man, beginning at the feet; then he made the legs, then he formed the trunk and the arms and the head. He made a man on each of the two pieces of bark. He was well pleased with his work, and looked at the men a long time, and he danced round about them. He next took stringybark from a tree, … made hair of it, and placed it on their heads — on one straight hair and on the other curled hair. Pund-jel again looked at his work, much pleased . . . and once more he danced round about them. . . . After again smoothing with his hands their bodies, from the feet upwards to their heads, he lay upon each of them, and blew his breath into their mouths, into their noses, and into their navels; and breathing very hard, they stirred. He danced round about them a third time. He then made them speak, and caused them to get up, and they rose up, and appeared as full grown young men.” Some of the Queens-land tribes declare 14 that the moon created the first man and woman, the former being made from stone and rubbed all over with white and black ashes, while the latter was shaped from a box-tree and rendered soft and supple by rubbing with yams and mud. In South Australia, on the other hand, there is apparently a belief in the creation of men from excrement which was moulded and then tickled, this causing the image to laugh and become alive.

REFLECTION

 

‘Two men’, two (2) root-races of early humans: Hyperborean or Pangaean races. ‘Clay’ signifies the earth which, in turn, contains all the 100+ elements of matter known in chemistry, all elements found in man’s body.

 

Observe the very graphic processes involved in creating or evolving the early humans, which looks very much like some laboratory scientists creating species using scalpels and surgical instruments. The ‘dance’ signifies the energizing of the species in order to bring life to it, ‘life’ literally meaning ‘vital energy’ or prana, which is the Breath in other cultures.

 

The Queensland version directly indicates the role of the ‘lunar pitris’ or fathers in creating the first humans, signified by the ‘moon creating the first man and woman’. Those first races were actually asexual in birthing, with a hermaphrodite race appearing in a phase of the evolutes.

 

That version about first humans made of white or black ashes indicates knowledge of the primordial humans. ‘White’ signifies the etheric-to-astral humans who were as ‘white as light’, not yet bio-physical in form. The ‘ash’ signifies the sub-races of Lemurians who were indeed black or very dark in skin hue.

 

[Philippines, 30 June 2011]

 

3rd PLANE BEINGS BREED TERRANS IN MELANESIAN LORE December 24, 2013

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3rd PLANE BEINGS BREED TERRANS IN MELANESIAN LORE

Erle Frayne D. Argonza

 

Source: http://www.oldandsold.com/articles29/mythology-14.shtml

Another tale from the same tribe shows a more typical form of the story. According to this, seven parakeets one day flew down to bathe, doffing their bird garments and laying them on a bench while they made merry in the water as beautiful maid-ens. Magoenggoelota crept up and stole the garment of the youngest, who, realizing that something was wrong, called to her sisters, “Whew! I smell human flesh,” at which the others were vexed and said, “Oh, how could any mortal come here? You are joking.” Soon they all went out to resume their garments, but though the older sisters found theirs and donned them, the youngest was unable to perceive her own until she saw a man who held it in his hand. Her sisters had disappeared, for they had flown up to the sky; and when they arrived, they said to their mother, “Kapapitoe has gone away, for someone took her dress,” at which their mother shed tears and berated them for abandoning their sister, so that they did not dare to go bathing any more. Meanwhile the younger sister wept and begged Magoenggoelota to give her back her feather garment, but he refused, saying, “Come, stop your crying. I shall do you no harm, but shall take you to my house as my wife,” to which she answered, “Very well, if you will, take me with you; but first give me back my clothes.” When she had promised not to fly away, he returned her feather garment, but when she put it on, he held her fast until she said, “You don’t need to hold me; I will not go away, for I do not know the road. If you are fond of me, put me in your betel-box,” and accordingly he took out his betel-box, put her in it, and took her to his home.

 

REFLECTIONS

 

The ‘swan’ archetype in one mythos now appears as the ‘parakeet’ archetype in another. In this current version, the parakeets mutates to humans as they descended to the ‘water’ to take a bath’. It was during such descent, while their over-garments were taken off from them, that humans crept upon them, till the conclusion was the breeding with the humans.

 

The ‘parakeets’ were of course beings coming from the mental plane or 3rd plane (governed by air element), and were on their way down in the devolution phase of their own development. During the descent to ‘water’—the 2nd plane or astral plane (governed by water element), that the breeding with Terrans occurred.

 

The lore reveals that there could have been sentient beings on Earth at that time of descent of the higher dimension beings. The higher beings could be interpreted as those coming from higher level planets, who came to infuse knowledge in creating a new breed out of the morphing Terrans at that time, and they in turn embodying in those new forms.

 

Theos Sophia is very succinct about the coming of the ‘lunar pitris’ and ‘solar pitris’ who aided in bringing life to the almost lifeless (phlegmatic, almost animal ‘mind’ proto-humans then) forms then habituating the planet. Nature unaided cannot produce humans, as divine wisdom clearly declared as axiom.

 

[Philippines, 29 June 2011]

 

SEPTENARY LAW, GALACTIC BREEDING IN MELANESIA, CELEBES TO N.ZEALAND TALES December 21, 2013

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SEPTENARY LAW, GALACTIC BREEDING IN MELANESIA, CELEBES TO N.ZEALAND TALES

Erle Frayne D. Argonza / Ra

Source: http://www.oldandsold.com/articles29/mythology-14.shtml

IN Melanesia, and perhaps also in New Zealand, one of the themes found to be characteristically developed was that of the swan-maiden, i. e. the descent of a heavenly maiden to earth and her capture and marriage by an earthly hero; and since tales embodying this motif are numerous in Indonesia, a consideration of the remainder of the mythology of this region may well begin with examples of this type. The Toradja in central Celebes say that once a woman gave birth to seven crabs which, in terror and disgust, she threw into the river. The crabs gained the bank, however, and there fixed seven places for bathing and built a house; but when they entered the water, they put off their crab disguise and assumed their human form. One day, when they were disporting themselves in the river and had left their crab garments on the shore, seven men crept up and stole their clothing, thus making it impossible for the maidens to resume their animal guise; and each of the men then took one of the maidens as his wife.

REFLECTION

 

7 places, 7 men marrying maidens, 7 crabs. What else can be unearthed from the archetypes other than that, first of all, the septenary law is well embedded in them?

 

‘Descend of a heavenly maiden to earth’ is indicative of beings of higher dimension, signified by a ‘maiden’ who is further signified by the ‘swan’. The mission of these beings was to aid in breeding a new race, notably a physically morphed race, of which the Lemurians were the beginning. The breeding of the new race is signified by the maiden’s marriage to a hero.

 

The Celebes myth of a woman giving birth first to 7 crabs indicates the first human types that were very phlegmatic in movement akin to crabs’. Eventually, ‘they put off their crab disguise’, which means the ‘crab’ phase is just but a phase in the evolutionary process, which was later superseded by another evolutionary phase where more human looking races appeared. The general evolutionary epoch was those of Earth humans who reproduced sexually, the same epoch of Twinflame soulmates beginning for the planet, at the mid-Lemurian ‘root race’.

 

7 family races for each of a sub-race of humans, and 7 sub-races for every ‘root-race’. Theos Sophia or divine wisdom was very clear about the matter.

 

[Philippines, 29 June 2011]

 

ROCKS, SWEAT BRED MAN: CELEBES, SUMATRA, FORMOSA MYTHOS December 16, 2013

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ROCKS, SWEAT BRED MAN: CELEBES, SUMATRA, FORMOSA MYTHOS

 

Erle Frayne D. Argonza

 

Source: http://www.oldandsold.com/articles29/mythology-12.shtml

Another tale of the origin of mankind from eggs is found among the Battak of Sumatra. In Celebes we have already seen how the first divine being was born miraculously from the rock or from the sweat which formed upon it; and an actual origin of mankind from a rock, which split open of itself, appears in Formosa.”

REFLECTION

 

Formosa (Taiwan) was once predominantly populated by Malay ethnicities, Malays who shared folklore themes with many of their neighbor cultures such as Sumatra (Battaks) and Celebes.

 

As the summary says, ‘the divine being was born miraculously from the rock or from the sweat which formed upon it’. Now that has a double meaning: the ‘rock’ that signifies the earth element and all the 100+ matter elements known in today’s chemistry, and ‘sweat’ that signifies the ‘sweat-born’ humans of the early ‘root races’.

 

In the Formosa version, the rock ‘split open of itself’ reveals that even the earth and its minerals are endowed with consciousness no matter how feeble this seems to us. The 1st Evolutionary Round is the mineral phase which took many hundreds of millions of years. Without this phase, the 2nd Round of vegetative life and the 3rd Round of animal life couldn’t have evolved. Such rounds thus showing capacity for life-bearing, the 4th Round was made possible as the devic-man phase.

 

The ‘divine’ was born from the ‘rock’ or ‘sweat-born’ is surely a tough nut to crack. It could be one way of articulating the Law of Evolution: that a human can become Divine in the distant future by passing first through the mineral, vegetative, animal, devic-man, and onwards till divinity is first experienced when one attains moksha or Self-realization through Yoga (union).

 

The greater that divinity will be ensured when one mutates to a Mahatma, the phase of spiritual perfection. At that stage, the route to Dhyan Chohan becomes clearer, the route when one becomes a living Deity or Avatar (manifestation of God). At the end of the Manvantara, the man-turned-divine being is ensured of re-integration with Godhead yet retaining his/her identity, hence ensuring his/her return as a creator deity or archangel in the next Manvantara (great cycle of life).

 

[Philippines, 24 June 2011]

 

FAILED BREEDING EXPERIMENTS, REPTILOIDS, OVIPAROUS MAN IN BORNEO TALE December 10, 2013

FAILED BREEDING EXPERIMENTS, REPTILOIDS, OVIPAROUS MAN IN BORNEO TALE

Erle Frayne D. Argonza

 

Source: http://www.oldandsold.com/articles29/mythology-12.shtml

…From southeastern Borneo comes a different tale. After the world had been made by spreading earth on the head of the great serpent which swam in the primeval sea, a deity descended upon it and discovered seven eggs formed of earth. Taking two of these, he found in one a man, and in the other a woman, but both lifeless; whereupon, returning to the upper world, he asked the creator for breath, that the pair might become alive. While he was gone upon his errand, however, another deity came down and blew into the mouths of the two lifeless forms and vivified them, so that when the first deity returned, he found himself forestalled, and man-kind, which he had intended to make immortal, was now subject to decay and death. …

REFLECTION

This myth is a reproduction of related myths about the involvement of the ‘great serpent’ (Reptiloid extraterrestrials) which ‘swam in the primeval sea’ (resided in the astral plane, notably the mid- and upper astral).

Amusingly, this mythos speaks of ‘seven eggs formed of earth’. The line signifies that during the oviparous or egg-laying phase of human evolution (1st, 2nd, 3rd sub-races of Lemurians), the Reptiloid species began to intervene in the genetics of Terrans. Note that Terrans then were still in the astral dimension.

That the eggs were lifeless is evidence of the failed experiments in the early phases when many extraterrestrial species from different star systems intervened. The ‘breath’ signifies the Life-Force, without which sentient life cannot be possible.

As the myth reveals, while the Reptiloids could have been out for some errands, another group of extraterrestrials, perhaps the evolved ones, proceeded with their experimentations on ‘two eggs’. This now looks like the XX genes of males (first ‘egg’) and the XY for females (second ‘egg’), which when put together begins the life of a fetus. A 2-strand DNA suggested, which means mankind on the descent phase of evolution—also termed the devolution phase.

 

Of course, in the devolution to physical plane life, mankind’s lifespan eventually narrowed to just decades long, thus the decay and mortal life. Contrast that to the early humans who didn’t even need to reincarnate, as they were able to evolve back to the higher dimensions with just one embodiment down the surface, after living for thousands of years.  

[Philippines, 24 June 2011]

 

OVIPAROUS LEMURIANS IN FILIPINO MYTH December 7, 2013

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OVIPAROUS LEMURIANS IN FILIPINO MYTH

Erle Frayne D. Argonza

 

Source: http://www.oldandsold.com/articles29/mythology-12.shtml

 

Quite widely distributed, on the other hand, is the belief that mankind originated from eggs. In the Philippines a bird laid two eggs, one at the source of a river and one at its mouth, a woman coming from the first and a man from the second. For long years the man lived alone, until one day when he was bathing, a long hair, floating in the water, entangled his legs so that he reached the bank with difficulty. Examining the hair, he at once determined to find its owner, and so travelled upstream until he met the woman, whom he then married.

 

REFLECTION

 

The mythos is a capsule version of the Limokon creation myth. As discussed in an earlier article, the myth does highlight the egg-laying or oviparous phase in human evolution. Anthropogenesis is the occult term used for human evolution in divine wisdom or Theos Sophia.

 

The evolution of humans from the shadowy, etheric Pangeans to the oviparous Lemurians, took many eons to pass. The time element counted by the millions of years, as etheric humans first appeared over 100 million years ago. The sexed humans, who procreated as Man and Woman in union, appeared roughly 16-18 million years ago.

 

It coincides with the coming of Ancient of Days, who begged that humans be allowed to reincarnate and procreate sexually, so that they won’t ever again have sex and generate monstrosities of offsprings with animals. Yes, Companions in Light, the early humans did experiment on sexing with animals by over-shadowing them and using the animal vehicles (bodies) to have sex. In the process, many human souls were trapped in the monstrosities they created.

 

That was when Sanat Kumara, or Ancient of Days, decided to plea for Terrans, and proposed that reincarnation be the law for them. Thus approved by the Council of 24 Elders, Sanat Kumara came to Earth, bringing along 6 other Kumaras via Venus, and helped Terrans in bringing them back to the Almighty Providence through re-incarnation, Twinflame mating, sexual procreation, and dharma.

 

As the myth suggests, Man and Woman lived separately for a long long time, which signifies the eons it took for hermaphroditic and oviparous humans to exist. The ‘hair’ of the woman signifies the ‘electric’ qualities inherent in the Femine, which matches with the ‘magnetic’ qualities of the Male. The Law of Duality/Polarity once again embedded and revealed in a Malayan (Filipino) myth.

 

[Philippines, 24 June 2011]

 

LEMURIA & ANTHROPOGENESIS IN TAGALOG CREATION MYTHOS December 5, 2013

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LEMURIA & ANTHROPOGENESIS IN TAGALOG CREATION MYTHOS

Erle Frayne D. Argonza / Ra

 

Source: http://www.pitt.edu/~dash/creation-phil.html

The Creation Story – Tagalog

When the world first began there was no land, but only the sea and the sky, and between them was a kite (a bird something like a hawk). One day the bird which had nowhere to light grew tired of flying about, so she stirred up the sea until it threw its waters against the sky. The sky, in order to restrain the sea, showered upon it many islands until it could no longer rise, but ran back and forth. Then the sky ordered the kite to light on one of the islands to build her nest, and to leave the sea and the sky in peace.

Now at this time the land breeze and the sea breeze were married, and they had a child which was a bamboo. One day when this bamboo was floating about on the water, it struck the feet of the kite which was on the beach. The bird, angry that anything should strike it, pecked at the bamboo, and out of one section came a man and from the other a woman.

Then the earthquake called on all the birds and fish to see what should be done with these two, and it was decided that they should marry. Many children were born to the couple, and from them came all the different races of people.

After a while the parents grew very tired of having so many idle and useless children around, and they wished to be rid of them, but they knew of no place to send them to. Time went on and the children became so numerous that the parents enjoyed no peace. One day, in desperation, the father seized a stick and began beating them on all sides.

This so frightened the children that they fled in different directions, seeking hidden rooms in the house — some concealed themselves in the walls, some ran outside, while others hid in the fireplace, and several fled to the sea.

Now it happened that those who went into the hidden rooms of the house later became the chiefs of the islands; and those who concealed themselves in the walls became slaves. Those who ran outside were free men; and those who hid in the fireplace became negroes; while those who fled to the sea were gone many years, and when their children came back they were the white people.

REFLECTION

 

I already wrote articles about the Tagalog creation mythos, which I will reprint in this piece. In the version above, the ‘kite’ is mentioned as the bird involved in the making of humans, while is another version it was the ‘dove’. A slight difference, although the Dove is more potent a symbol as signifier of the Father Deity.

 

[Philippines, 24 June 2011]

 

TAGALOG CREATION MYTH: SCIENCE OF BIRTHING REVEALED

 

Erle Frayne D. Argonza / Ra

 

Let me bring you another folk lore from the Malays: the creation myth of the Tagalogs. Tagalogs are the ethnic groups of Luzon island in the Philippines, from whose dialect came forth the foundations of the national language of Filipino.

 

Tagalog is a coinage of Taga Ilog, literally meaning “from the river.” The river in the term is a referent for the hydrological societies that pervaded the Philippine archipelago prior to the advent of western imperialism and colonialism.

 

A nation richly endowed with folklore, with myths and legends, the Philippines counts among its popular lores the myth of ‘Malakas and Maganda’. Literally, it translates as ‘myth of Strong (Malakas) and Beautiful (Maganda).’

 

The myth goes that there was once a bamboo floating listlessly by the oceans. The bamboo finally ceased to float as it landed on a coast in the Philippines. As it did so, a white dove flying above descended on the bamboo and pecked it accordingly. The bamboo then split, and out came Malakas and Maganda. The Filipinos are their descendants.

 

A very ancient narrative, the mythos is, to my mind, a repository of a science that was already known in the ancient times: the science of birthing. Such a science was eventually lost, as the end of the ice age inundated land masses, sunk continental chunks of lands, and led to a dark age of sorts.

 

Despite the retreat of civilization after the end of the last glacial period, the survivors found ample means to preserve the knowledge and information that they could preserve through folklore (myths & legends). Let’s take the signifiers one by one.

 

  • Let’s take the case of the sea/ocean first of all. The water in the seas is a signifier for the amniotic fluid inside the mother’s womb. In the womb is, of course, the ovum which is a facility for birthing.

 

  • The bamboo, with its nodes, long and pliant, is signifier for the DNA/genes. It is unimaginable to create humans without the genetic vehicle for their making, the vehicle being no other than the DNA.   

 

  • The dove is a bird. The bird is signifier for ‘desire’ and the phallus as well. Both desire and phallus are key biological facilities in creating life forms. The bird pecking the bamboo signifies the procreation act.

 

  • From inside the bamboo, one presumably finds the masculine (Malakas) and feminine (Maganda) elements or identities. Which is what it is: both masculine and feminine genes are already inherently present in the DNA.

 

  • Having both a Malakas (masculine) and a Maganda (feminine) in one space, co-equal, refers to the law of duality. The DNA has two (2) strands, gender has two identities (male, female), and so on.

 

  • The soil, as indicated by the coast, signifies the elements of the Earth. All such elements are present in the human body. Without such elements, without biological matter containing such elements, babies can’t be produced. Soil is matter, from the Latin word ‘mater’ or matter, as it is also the feminine element (mother, mater).

 

That Malakas and Maganda simultaneously came out together from the same bamboo signifies the gender equality among the ancient Malays. Patriarchy was alien to the Malays, who were among the last subraces of the Atlantean ‘root race’ to evolve in history.

 

Patriarchy was largely imposed from the outside: from Islam it was imposed upon southern Filipinos, from Christianity unto Northern Filipinos. Indians and Chinese also migrated to the islands, introducing their brand of patriarchy.

 

Yet no matter how much tons of debris may have buried the ancient ways of the Tagalogs/Filipinos, they were not totally buried after all. One only needs to mine their folklores, of which volumes of documentation works were already published, to be able to extract and unveil hidden truths.

 

As I’ve been saying all along, the contributions of Malays to the Teaching (‘God’s Word, higher mysteries) are found more in their folklores rather than their scriptures. Malayan scriptures are Islamic, Buddhist, and Christian, or impositions from outside. Folklores are originally their creative production, and are repositories of High Knowledge and wisdom. Such a thesis is exemplified by the Tagalog creation myth.

 

[Philippines, 22 May 2010]

 

 

TAGALOG CREATION MYTH: LEMURIAN & COSMIC REVELATIONS

 

Erle Frayne D. Argonza / Ra

 

Magandang araw! Good day! Buenos dias!

 

This time around, I’ll share to you the cosmic-galactic facet of the Tagalog creation myth. As I’ve already elaborated elsewhere, the Malays (of whom Tagalogs form a part of) were created by a cross-galactic race (light-skinned) from out of the Lemurian descendants (dark-skinned), thus producing a tanned race that was lighter than the Lemurians.

 

Being a new breed then of Pacificians (from the Pacific Ocean), the Malays belonged squarely to the last races of the Atlantean ‘root race’ (see H.P. Blavatsky’s Secret Doctrine). They were bred almost at the same time as the White race that was a hybrid of light-skinned cross-galactic humans and the red-skinned Atlanteans.

 

To go back to the Tagalog creation myth, let me quote from a previous article: “The myth goes that there was once a bamboo floating listlessly by the oceans. The bamboo finally ceased to float as it landed on a coast in the Philippines. As it did so, a white dove flying above descended on the bamboo and pecked it accordingly. The bamboo then split, and out came Malakas and Maganda. The Filipinos are their descendants.” (See “Tagalog Creation Myth: Science of Birthing Revealed.”)

 

That being the synopsis of the mythos, let me re-stress that it is a coded message about the birthing of the Tagalogs/Malays. This time, the cosmic-galactic facet will be taken as the paradigm base. Let me take up the signifiers (code items) one by one:

 

  • Ocean/sea mystically refers to the unconscious or ‘causal plane’ element. That was where the ‘bamboo’ came from, to note. It means the awareness level of the Malays and their breeders corresponded to that level (7th Density at least) before the descent of humanity to its low 3rd Density level today.

 

  • Ocean also indicates the mass inundation of the Earth after the end of the glacial period. The last of Lemuria’s subcontinents sank across time as the ice caps melted and elevated the seawaters to much higher levels.

 

  • The ‘bamboo’ is referent for DNA as a whole, which is almost similar with the previous interpretation. This time though, note that DNA in the higher dimension is different, as it has more strands (12) than biological DNA (2).

 

  • Inside the bamboo are the two prospect gender, male and female. The Yin and Yang. Duality in One. Indeed, even the soul of a human has both masculine and feminine elements. So is the DNA, whether higher or lower dimension type.

 

  • Bamboo floating in the ocean/seas also signifies the attempts by the survivors of the post-glacial deluge to survive via floaters. Much like Noah’s floater. Noah was in fact of Lemurian roots, and produced a branch of tribes that would settle later in Western Asia. The same floaters brought survivors to lands that emerged after the floods receded, lands in the Pacific Ocean (including the Philippines).

 

  • From the ocean/seas, it landed in the coast. Soil signifies matter, as well as the maternal element (matter is Latin ‘mater’ or mother). It also signifies the physical plane, with the element of solidity (earth element) is dominantly marked.

 

  • A dove, white in hue, signifies the Galactic humans and their space vehicle. The myth reveals that the same Galactic breeders experimented on a new race. Quite observably, the same breeders or ‘creators’ used the species of humans already present then, who birthed through sexual procreation means (male and female in sexual intercourse). The earlier Lemurians were oviparous (egg-laying), while the latter were sexual in pro-creation.

 

  • The dove landed on the shores, as one can see. This means the Galactic creators, who came from the Air above (air is 6th Density or mental plane), had to descend to a lower dimension to be able to breed the Malays. Terrans were originally 5th Density in habitat, so it makes sense that the light-hued creators had to descend at least one Density lower from their domain.

 

  • The dove pecked the bamboo. This could mean that the creator race was also sexual in breeding or sort of, and it is possible that they actually pro-created with the Lemurian descendants. Otherwise, the new breed could have been created through laboratory means, which could also be possible.

 

  • Malakas and Maganda came out of the bamboo. Obviously, two (2) genders were involved as products of the breeding. And both of the genders were involved in birthing the ancient Tagalogs/Malays, who would later be among the chief tribes of the Filipino nation.

 

The Lemurians could have exercised gender equality, as indicated by the mythos. From the Lemurian descendants to the proto-Malays, the same cultural trait was disseminated. When the Moslems and Spaniards arrived in the islands, they discovered the prevalence of such a sociocultural trait among the islanders.

 

In closing, let me re-echo a thesis declared in a previous article: “As I’ve been saying all along, the contributions of Malays to the Teaching (‘God’s Word, higher mysteries) are found more in their folklores rather than their scriptures. Malayan scriptures are Islamic, Buddhist, and Christian, or impositions from outside. Folklores are originally their creative production, and are repositories of High Knowledge and wisdom. Such a thesis is exemplified by the Tagalog creation myth.” (See “Tagalog Creation Myth: Science of Birthing Revealed.”)

 

[Philippines, 23 May 2010]

 

DOVE MAKES EGG-LAYING LEMURIANS: ALMIGHTY FATHER ALLUDED IN LIMOKON MYTH December 2, 2013

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DOVE MAKES EGG-LAYING LEMURIANS: ALMIGHTY FATHER ALLUDED IN LIMOKON MYTH

Erle Frayne D. Argonza

Source: http://www.pitt.edu/~dash/creation-phil.html

The Children of the Limokon – Mandaya (Mindanao)

In the very early days before there were any people on the earth, the limokon (a kind of dove ) were very powerful and could talk like men though they looked like birds. One limokon laid two eggs, one at the mouth of the Mayo River and one farther up its course. After some time these eggs hatched, and the one at the mouth of the river became a man, while the other became a woman.

The man lived alone on the bank of the river for a long time, but he was very lonely and wished many times for a companion. One day when he was crossing the river something was swept against his legs with such force that it nearly caused him to drown. On examining it, he found that it was a hair, and he determined to go up the river and find whence it came. He traveled up the stream, looking on both banks, until finally he found the woman, and he was very happy to think that at last he could have a companion.

They were married and had many children, who are the Mandaya still living along the Mayo River.

REFLECTION

 

The myth is one of the rare folklore narratives that use the ‘dove’ as metaphor for creation/evolution of humans. As already mentioned earlier, esoteric knowledge contends that the ‘dove’ is an archetype for the Father. Let it be known to all, that upon my ascension in 2008, the Dove appeared many times to ensure me of the Presence of the Almighty Providence, so near that you could almost touch it as it hovers in front of you.

 

To go on, the mythos says ‘limokon were very powerful and could talk like men’. This line revealed the prevalence of an ancient language known to the creator deities, a language that was affirmed in the book Keys of Enoch by J.J.Hurtak. It is a ‘fiery’ language, the ‘fiery’ or ‘fire’ signifying the causal plane (also called ‘higher mental’ plane) that is governed by the fire element.

 

The Dove as Father archetype is effervescent yet one can distinguish its features amid the dazzling Light. That effervescence coincides with the ‘fiery’ feature of the divine language as mentioned above. [Note: Only to an Ascended Master can the Father be seen in archetypal form.]

 

The ‘egg’ in the myth reveals the egg-laying way of procreation by the early Lemurians, notably the 1st, 2md, and 3rd sub-races. Those Lemurians were oviparous, their souls androgynous. The man looking for the woman upstream suggests that it took eons before the oviparous Lemurians evolved to the sexual Lemurians whose souls were either of male or female polarity (beginnings of Twinflame mates).

 

The ‘river’ is a water body, of the water element, which signifies that the early to mid-Lemurians were still in the astral-etheric plane or 2nd plane. The astral plane is governed by the water element. Being in that plane means Earth was then of higher vibratory frequency than it is today. That plane other esoteric circles call the 4th dimension.

 

[Philippines, 24 June 2011]

 

FROM MU TO ARYAN: ANTHROPOGENESIS IN BAGOBO MYTHOS November 27, 2013

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FROM MU TO ARYAN: ANTHROPOGENESIS IN BAGOBO MYTHOS

 

Erle Frayne D. Argonza

 

Source: http://www.pitt.edu/~dash/creation-phil.html

Origin –  Bagobo (Mindanao)

In the beginning there lived one man and one woman, Toglai and Toglibon. Their first children were a boy and a girl. When they were old enough, the boy and the girl went far away across the waters seeking a good place to live in. Nothing more was heard of them until their children, the Spaniards and Americans, came back. After the first boy and girl left, other children were born to the couple; but they all remained at Cibolan on Mount Apo with their parents, until Toglai and Toglibon died and became spirits. Soon after that there came a great drought which lasted for three years. All the waters dried up, so that there were no rivers, and no plants could live.

“Surely,” said the people, “Manama is punishing us, and we must go elsewhere to find food and a place to dwell in.”

So they started out. Two went in the direction of the sunset, carrying with them stones from Cibolan River. After a long journey they reached a place where were broad fields of cogon grass and an abundance of water, and there they made their home. Their children still live in that place and are called Magindanau, because of the stones which the couple carried when they left Cibolan.

Two children of Toglai and Toglibon went to the south, seeking a home, and they carried with them women’s baskets (baraan). When they found a good spot, they settled down. Their descendants, still dwelling at that place, are called Baraan or Bilaan, because of the women’s baskets.

So two by two the children of the first couple left the land of their birth. In the place where each settled a new people developed, and thus it came about that all the tribes in the world received their names from things that the people carried out of Cibolan, or from the places where they settled.

All the children left Mount Apo save two (a boy and a girl), whom hunger and thirst had made too weak to travel. One day when they were about to die the boy crawled out to the field to see if there was one living thing, and to his surprise he found a stalk of sugarcane growing lustily. He eagerly cut it, and enough water came out to refresh him and his sister until the rains came. Because of this, their children are called Bagobo.

REFLECTION

The narrative already begins with the time of the mid-Lemurian races when sexual procreation became the mode or reproducing humans. This was the first over-arching context of twinflame soul aspects that would search for each other as husband and wife in the physical plane.

Toglia & Toglibon are the equivalents of the Adam & Eve in Semitic mythos. Adam was another version for Edoma or Adoma, that subcontinent of Mu where sexed humans first appeared. Toglia & Toglibon bore a ‘girl & boy’ who migrated to other lands across the vast sea (ocean) and birthed other races—signifies the next sub-races that gave birth to the subsequent ‘root-races’ of Atlanteans and Caucasian Aryans.

Toglia & Toglibon bore many other children signifies the evolution of other sub-races and constituent racial families of Lemurians and onwards to their offshoot races of Malays who were among the last Lemuro-Atlanteans in the 4th ‘root race’ eons.

‘Their children, the Spaniards and Americans, came back’ is as factual as it is: Caucasian Aryans evolved at a latter historical epoch, even as the term ‘Aryan’ has come to generically refer to the present ‘root race’. Scions of the 4th ‘root races’ have become Aryanized in psyche, which stresses the development of the mental or 3rd body faculties.

Thus genealogically, the Lemurians/Mu gave birth to the Atlanteans, as the Atlanteans in turn bred the Aryans among whose racial families are the Indo-Europeans. The Kelts were among the last sub-races of Atlantis, and thus the first of the Aryans, among whose tribes were the Iberians (Spaniards were Iberians). The Teutons were among the mid-to-latter Aryan races, among whose scions were the AngloSaxons (Americans included).

[Philippines, 23 June 2011]

 

MELU & BILAAN CREATION LORE November 24, 2013

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MELU & BILAAN CREATION LORE

Erle Frayne D. Argonza

 

Source: http://www.pitt.edu/~dash/creation-phil.html

The Story of the Creation – Bilaan (Mindanao)

In the very beginning there lived a being so large that he cannot be compared with any known thing. His name was Melu, and when he sat on the clouds, which were his home, he occupied all the space above. His teeth were pure gold, and because he was very cleanly and continually rubbed himself with his hands, his skin became pure white. The dead skin which he rubbed off his body was placed on one side in a pile, and by and by this pile became so large that he was annoyed and set himself to consider what he could do with it.

Finally Melu decided to make the earth; so he worked very hard in putting the dead skin into shape, and when it was finished he was so pleased with it that he determined to make two beings like himself, though smaller, to live on it.

Taking the remnants of the material left after making the earth he fashioned two men, but just as they were all finished except their noses, Tau Tana from below the earth appeared and wanted to help him.

Melu did not wish any assistance, and a great argument ensued. Tau Tana finally won his point and made the noses which he placed on the people upside down. When all was finished, Melu and Tau Tana whipped the forms until they moved. Then Melu went to his home above the clouds, and Tau Tana returned to his place below the earth.

All went well until one day a great rain came, and the people on the earth nearly drowned from the water which ran off their heads into their noses. Melu, from his place on the clouds, saw their danger, and he came quickly to earth and saved their lives by turning their noses the other side up.

The people were very grateful to him, and promised to do anything he should ask of them. Before he left for the sky, they told him that they were very unhappy living on the great earth all alone, so he told them to save all the hair from their heads and the dry skin from their bodies and the next time he came he would make them some companions. And in this way there came to be a great many people on the earth.

REFLECTION

Of golden hue and white of Divine Light, such is the description of the creator deity Melu. His abode was the ‘clouds’—signifier for the higher dimensions. ‘He occupied all the space above’ clearly projects the Omniscience, Omnipresence, Omnipotence of the One Universal Principle or Almighty God.

‘A being so large’ is an apt description for cosmic beings more so the creator deities who achieved perfection in previous Manvantaras yet, whose auras alone can fill up and protect many stars/suns, planets, and life-forms. The Lord Solar Logos, deity of our Solar system, for instance, has his aura protecting our Sun or Sol. Absent His Divinity and the entire Sol, planets & respective moons will go back to chaos.

Deities don’t have skins literally, though in manifest form indeed deities can look like they have skin. From out of free matter of the lower dimensions the deities created every sort of material vehicles for sentient life to occupy in their evolutionary sojourns—this is signified by using dead skin to make earth.

The breeding of early humans, of the first three (3) ‘root races’, were clearly indicated. This was a collective effort of Melu and Tau Tana, which shows the synergy of Brahma & Elohim with the hierarchs of the elementals & devas in order to create the mental, astral, and physico-etheric vehicles.

Two (2) men being the first human evolutes signifies the 1st and 2nd ‘root races’ or Pangean/Hyperborean humans who regenerated asexually. ‘The men asked Melu for companions’ signifies the coming of the Twinflame souls in the aegis of the sexually reproducing mid-Lemurian racial families in the 3rd ‘root race’.

The cyclical geo-magnetic changes of Terra, which floods the surface at certain junctures of polar reversals or shifts, was also indicated as already happening during the 1st & 2nd ‘root races’.

[Philippines, 23 June 2011]

 

UNIVERSE’S CREATION IN BUKIDNON FOLKLORE November 21, 2013

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UNIVERSE’S CREATION IN BUKIDNON FOLKLORE

 

Erle Frayne D. Argonza

 

Source: http://www.pitt.edu/~dash/creation-phil.html

How the Moon and the Stars Came to Be – Bukidnon (Mindanao)

One day in the times when the sky was close to the ground a spinster went out to pound rice. Before she began her work, she took off the beads from around her neck and the comb from her hair, and hung them on the sky, which at that time looked like coral rock.

Then she began working, and each time that she raised her pestle into the air it struck the sky. For some time she pounded the rice, and then she raised the pestle so high that it struck the sky very hard.

Immediately the sky began to rise, and it went up so far that she lost her ornaments. Never did they come down, for the comb became the moon and the beads are the stars that are scattered about.

REFLECTION

 

‘When the sky was close to the ground’ speaks of the eons when the cooling Earth was of higher vibratory frequency than it is today, thus rendering it nearer to the Great Central Sun or God Almighty. It wasn’t even a part of the sun yet, and could have freely floated in space prior to its gravitation to Sol whence its orbit came to being.

 

The ‘spinster’ is the folks’ idea of conserving ancient truths about creator deities who were collectively identified in the Female gender. The space-domain ‘looked like coral rock’, signifying the spread of matter across the vast expanses of the expanding universe as part of the Manvantara or great cycle of life.

 

‘Coral rock’ is an embed of the principles of solidity (rock is solid) and liquidity (corals come from the sea), or earth and water elements. ‘Coral’ is a species of life that thrives on water, so it is a good archetype for vegetative & animal species then evolving when Terra was still in higher dimension.  

 

‘She pounded the rice’, the pounding thus pushing the sky further from where the spinster stood—this signifies the further expansion processes as matter and Divine Light continued to fill up the void. The creation of the material planes—the causal, then the mental, then the astral, till finally the physical planes, in that order—was suggested here.

 

‘Comb became the moon’ and ‘beads are the stars’ is of course an embed of the ancient wisdom’s truths about the creator deities’ galvanization of solar systems and satellites signified by moon. The usage of personal body ornaments such as ‘comb’ and ‘beads’ surely renders the narrative very interesting and amusing.

 

[Philippines, 23 June 2011]

 

LUMAUIG: GREAT SPIRIT, IGOROT CREATION MYTH November 18, 2013

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LUMAUIG: GREAT SPIRIT, IGOROT CREATION MYTH

 

Erle Frayne D. Argonza / Ra

 

Source: http://www.pitt.edu/~dash/creation-phil.html

The Creation – Igorot

In the beginning there were no people on the earth.

Lumawig, the Great Spirit, came down from the sky and cut many reeds. He divided these into pairs which he placed in different parts of the world, and then he said to them, “You must speak.”

Immediately the reeds became people, and in each place was a man and a woman who could talk, but the language of each couple differed from that of the others.

Then Lumawig commanded each man and woman to marry, which they did. By and by there were many children, all speaking the same language as their parents. These, in turn, married and had many children. In this way there came to be many people on the earth.

Now Lumawig saw that there were several things which the people on the earth needed to use, so he set to work to supply them. He created salt, and told the inhabitants of one place to boil it down and sell it to their neighbors. But these people could not understand the directions of the Great Spirit, and the next time he visited them, they had not touched the salt.

Then he took it away from them and gave it to the people of a place called Mayinit. These did as he directed, and because of this he told them that they should always be owners of the salt, and that the other peoples must buy of them.

Then Lumawig went to the people of Bontoc and told them to get clay and make pots. They got the clay, but they did not understand the molding, and the jars were not well shaped. Because of their failure, Lumawig told them that they would always have to buy their jars, and he removed the pottery to Samoki. When he told the people there what to do, they did just as he said, and their jars were well shaped and beautiful. Then the Great Spirit saw that they were fit owners of the pottery, and he told them that they should always make many jars to sell.

In this way Lumawig taught the people and brought to them all the things which they now have.

REFLECTION

In the Cordillera mountains or Northern Luzon habituate the Igorots who comprise eight (8) ethnic groups in all. They share the belief in Lumauig as the Great Spirit who created mankind. Lumauig here is very near the truth about the Spirit-Force in divine wisdom, who is the One Universal Principle from which all objective and subjective domains of life emanated from.

 

Lumauig ‘came down from the sky’—descended from the spiritual domains. Thereof, he ‘cut many reeds’—this signifies the splitting of oversouls into many souls (soul-fragments in other traditions). Without souls, no human life is possible on the astral and physical domains that were the lowest dimensions.

 

He ‘divided them into pairs’—signifies the splitting of the androgynous souls into Male and Female polarities or Twinflame mates. ‘You must speak’ signifies the beginnings of oral language and communications, as human were still in the mental and astral planes preparing to move down to the physical plane.

 

‘Immediately the reeds became people’—souls in twinflame polarities became the first humans during the mid-Lemurian evolutionary phase, which is the farthest that Igorot collective memory can go. The rest was history, which includes the creation of the institution of family, diets (salt), cottage industry (pottery), and commerce.

[Philippines, 23 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

 

PHYSICAL UNIVERSE’S CREATION BY CAPTAN & DEITIES November 15, 2013

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PHYSICAL UNIVERSE’S CREATION BY CAPTAN & DEITIES

 

Erle Frayne D. Argonza / Ra

 

Among some Filipino ethnicities reins the belief in the creation deity Captan. In their version of cosmogony, Captan is synonymous if not identical to Brahma who is deity of the physical universe.

 

Maguayan and scions seem to coincide with the Elohim as revealed by divine wisdom or Theos Sophia. The Elohim assisted Lord Brahma in creating objective worlds as vehicles for subjective life-forms to evolve and grow, while the Elohim were assisted by hierarchs of the elementals and divas.

 

The creation of the objective conditions for many life forms to evolve, beginning with the mineral and onwards to the vegetative, then onwards to the animal, till finally the phase of devic-man was achieved, was also depicted.

 

Mankind was projected as having appeared from out of a bamboo. Man and Woman came out of the bamboo together—which signifies the tracing of humans from the time sexing was the mode of procreation (mid-Lemurian). The Twinflame principle of splitting androgynous souls into male and female polarities were clearly depicted. Accordingly, Sicalac was the male while Sicabay was the female, the ancestors of mankind—akin to the Adam & Eve of Semitic anthropogenesis.

 

The bamboo is signifier of earth element, and earth contains all of the 100+ elements known in chemistry as constituting matter. Bamboo, which has nodules, also signifies the genes that are structured in the vogue of having nodules separating DNA/RNA embeds.

 

 

Source: http://www.pitt.edu/~dash/creation-phil.html

How the World Was Made

This is the ancient Filipino account of the creation.

Thousands of years ago there was no land nor sun nor moon nor stars, and the world was only a great sea of water, above which stretched the sky. The water was the kingdom of the god Maguayan, and the sky was ruled by the great god Captan.

Maguayan had a daughter called Lidagat, the sea, and Captan had a son known as Lihangin, the wind. The gods agreed to the marriage of their children, so the sea became the bride of the wind.

Three sons and a daughter were born to them. The sons were called Licalibutan, Liadlao, and Libulan; and the daughter received the name of Lisuga.

Licalibutan had a body of rock and was strong and brave; Liadlao was formed of gold and was always happy; Libulan was made of copper and was weak and timid; and the beautiful Lisuga had a body of pure silver and was sweet and gentle. Their parents were very fond of them, and nothing was wanting to make them happy.

After a time Lihangin died and left the control of the winds to his eldest son Licalibutan. The faithful wife Lidagat soon followed her husband, and the children, now grown up, were left without father or mother. However, their grandfathers, Captan and Maguayan, took care of them and guarded them from all evil.

After a time, Licalibutan, proud of his power over the winds, resolved to gain more power, and asked his brothers to join him in an attack on Captan in the sky above. At first they refused; but when Licalibutan became angry with them, the amiable Liadlao, not wishing to offend his brother, agreed to help. Then together they induced the timid Libulan to join in the plan.

When all was ready the three brothers rushed at the sky, but they could not beat down the gates of steel that guarded the entrance. Then Licalibutan let loose the strongest winds and blew the bars in every direction. The brothers rushed into the opening, but were met by the angry god Captan. So terrible did he look that they turned and ran in terror; but Captan, furious at the destruction of his gates, sent three bolts of lightning after them.

The first struck the copper Libulan and melted him into a ball. The second struck the golden Liadlao, and he too was melted. The third bolt struck Licalibutan, and his rocky body broke into many pieces and fell into the sea. So huge was he that parts of his body stuck out above the water and became what is known as land.

In the meantime the gentle Lisuga had missed her brothers and started to look for them. She went toward the sky, but as she approached the broken gates, Captan, blind with anger, struck her too with lightning, and her silver body broke into thousands of pieces.

Captan then came down from the sky and tore the sea apart, calling on Maguayan to come to him and accusing him of ordering the attack on the sky. Soon Maguayan appeared and answered that he knew nothing of the plot as he had been asleep far down in the sea.

After a time he succeeded in calming the angry Captan. Together they wept at the loss of their grandchildren, especially the gentle and beautiful Lisuga; but with all their power they could not restore the dead to life. However, they gave to each body a beautiful light that will shine forever.

And so it was that golden Liadlao became the sun, and copper Libulan the moon, while the thousands of pieces of silver Lisuga shine as the stars of heaven. To wicked Licalibutan the gods gave no light, but resolved to make his body support a new race of people. So Captan gave Maguayan a seed, and he planted it on the land, which, as you will remember, was part of Licalibutan’s huge body.

Soon a bamboo tree grew up, and from the hollow of one of its branches a man and a woman came out. The man’s name was Sicalac, and the woman was called Sicabay. They were the parents of the human race. Their first child was a son whom they called Libo; afterwards they had a daughter who was known as Saman. Pandaguan was a younger son and he had a son called Arion.

Pandaguan was very clever and invented a trap to catch fish. The very first thing he caught was a huge shark. When he brought it to land, it looked so great and fierce that he thought it was surely a god, and he at once ordered his people to worship it. Soon all gathered around and began to sing and pray to the shark. Suddenly the sky and sea opened, and the gods came out and ordered Pandaguan to throw the shark back into the sea and to worship none but them.

All were afraid except Pandaguan. He grew very bold and answered that the shark was as big as the gods, and that since he had been able to overpower it he would also be able to conquer the gods. Then Captan, hearing this, struck Pandaguan with a small thunderbolt, for he did not wish to kill him but merely to teach him a lesson. Then he and Maguayan decided to punish these people by scattering them over the earth, so they carried some to one land and some to another. Many children were afterwards born, and thus the earth became inhabited in all parts.

Pandaguan did not die. After lying on the ground for thirty days he regained his strength, but his body was blackened from the lightning, and all his descendants ever since that day have been black.

His first son, Arion, was taken north, but as he had been born before his father’s punishment he did not lose his color, and all his people therefore are white.

Libo and Saman were carried south, where the hot sun scorched their bodies and caused all their descendants to be of a brown color.

A son of Saman and a daughter of Sicalac were carried east, where the land at first was so lacking in food that they were compelled to eat clay. On this account their children and their children’s children have always been yellow in color.

And so the world came to be made and peopled. The sun and moon shine in the sky, and the beautiful stars light up the night. All over the land, on the body of the envious Licalibutan, the children of’ Sicalac and Sicabay have grown great in numbers. May they live forever in peace and brotherly love!

[Philippines, 23 June 2011]

 

COSMOGONY AS FILIPINO MYTH VERSIONS November 12, 2013

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COSMOGONY AS FILIPINO MYTH VERSIONS

 

Erle Frayne D. Argonza / Ra

 

Philippine folklore narratives on creation practically mirror those of its ASEAN neighbors. These folklores are shared by ethnicities coming from two (2) racial groups: Malays (the dominant majority) and Polynesians (aborigines).

 

The Malayan Filipinos are in kinship with their neighbors, as Malays  belong to the last racial families of Lemuro-Atlanteans of the 4th ‘root-race’. The Filipino Malays have their own peculiarities in the mythos narratives, which renders them as distinct in the analysis of folklorists and exegetes.

 

Polynesian Filipinos are of short stock, very dark brown skin hue, and curly hair. Phenotype groups are: Agta, Atta, Remontado, Dumagat, and related tribes. Remember that the ancient 3rd ‘root-race’ Lemurians were giants, with heights reaching past 30 feet at some point in ancient history, while their direct remnants have been shortened in stature across time for one reason or another (in-breeding normally produce dwarfism).

 

Let us examine a rundown of sample cosmogony of Filipinos. The most comprehensive anthology is that of Prof. Damiana Eugenio’s writings, published by the University of the Philippines, with a total of 10 Volumes, rendering the anthology as encyclopedic. Incidentally, other scholars of Southeast Asian studies of other nationalities have done equally scholarly pursuits of Filipino folklore, such as the expert below.

 

 

Source: http://www.pitt.edu/~dash/creation-phil.html

D.L. Ashliman (ed.), Creation Myths from the Philippines, 2003.

Contents

  1. How the World Was Made.
  2. The Creation (Igorot).
  3. How the Moon and the Stars Came to Be (Bukidnon).
  4. Origin (Bagobo).
  5. The Story of the Creation (Bilaan).
  6. In the Beginning (Bilaan).
  7. The Children of the Limokon (Mandaya).
  8. The Creation Story (Tagalog).

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PROF. ERLE FRAYNE ARGONZA WEBSITE: http://erleargonza.com

 

ARGONZA COSMIC BLOGS & LINKS:

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http://www.tsl.org, http://www.gandhiserve.org,

http://www.maharishi.org, http://www.rssb.org, http://www.fisu.org, http://www.saibaba.org, http://trishulabearer.com,   

http://www.salrachele.com, http://www.yogananda.srf.org,

http://www.sriaurobindosociety.org